Untitled (from When I See You, I See Myself Clearer), 2026, Archival Inkjet Prints, Size Variable, (Installation View, Bakehouse Art Complex)
A wall-mounted grid of small square archival photographic prints depicting gestural crops of hands and feet, derived from my matrilineal family archive.
Nicole Combeau, Nadia’s Altar, 2023, Archival Inkjet Print, 30 x 38”
Nadia’s Altar documents a domestic altar in Miami whose devotional objects function as vessels of ancestral memory, linking contemporary ritual to enduring matrilineal traditions and ancient forms of sacred making. The image was on view at the Orlando Museum of Art from January through March 2026 as part of the museum’s ongoing Echoes of the Ancient exhibition.
When I See You, I See You Myself Clearer, 2025, Silk Habotai Print, 49 x 38 ½ inches, Homework Gallery, 7338 NW Miami Ct, Miami, FL 33150, April 12th - May 31st, 2025
Installed at Homework Gallery for poemas de sal y tierra (May 2025), this silk print brings together three generations of Colombian migrant women and the Flamboyant (Royal Ponciana) tree during its flowering season.
Untitled (Mother and Daughter from The Miami Workers Center), Archival Inkjet Print, 22x30’, See It Like A Native, Miami, FL
The Earth Whose Skin You Are, Cotton Dye Transfer, 95’ x 77’, Cargo Collective, Laundromart Art Space, Miami, Florida (November 8th, 2025)
This suspended textile (Installed November 2025 for Cargo Space Collective) layers silhouetted figures standing in water through photographic double exposure and dye transfer onto cotton. The double exposed photograph depicts three young immigrant girls in Marathon, Florida, leisurely occupying the shoreline.
In Between Sentiments, 2024, Archival Pigment Prints, Dimensions Variable, Miami International Airport, September 9th 2024 - February 9th, 2025